Presentation

Your project already contains everything you need to tell its story. Plans, sections, models, renderings, materials, objects, worksheets, diagrams, and data should not have to be exported, flattened, and rebuilt in another application just to present them. Corvus lets you compose and present directly from the living project. Show the right information to the right people, in the right sequence, while everything remains connected to the architecture behind it.

The project is the presentation.

Presenting architecture should not require reconstructing architecture. The drawings are already there. The model is already there. The materials, objects, renderings, schedules, and project information are already there. Corvus lets you bring those living views together into a clear story without turning them into screenshots, copies, or disconnected files first.

Stop rebuilding work you already did.

A plan gets exported. A rendering gets saved. A schedule becomes a PDF. Images get cropped. Everything gets placed into another application, arranged, labeled, and updated again when the design changes. Corvus removes this parallel production process. Compose the presentation from the project itself and spend your time deciding what to communicate, not reproducing what already exists.

A plan should remain a plan.

You should not have to turn precise vector geometry into a JPEG just to put it on a page. Place a plan, section, elevation, detail, model view, or rendering directly into a presentation while preserving the intelligence and fidelity behind it. Frame it. Scale it. Crop it. Style it. But do not destroy what it is simply because you need to show it to someone.

Show the work without freezing it in time.

The moment you export an image, it begins drifting away from the project that created it. Move a wall and yesterday's presentation still shows the wall where it used to be. Corvus keeps presentation views connected to the project behind them. When the work develops, the presentation can develop with it rather than becoming another artifact someone has to remember to update.

Present what is true right now.

Client meetings rarely happen at convenient moments. A design may have changed an hour ago. A consultant may have just resolved an issue. A material may have changed yesterday. Open the presentation and show the current project rather than wondering whether every exported image, drawing, schedule, and diagram reflects the latest work.

Tell the story at the resolution the project has reached.

Early design should feel early. A sketch, simple model, loose diagram, shaded view, or restrained material palette can communicate an idea without pretending that every decision has already been made. As the project develops, the presentation can develop with it. Corvus lets the fidelity of the communication follow the fidelity of the thinking.

Present different people different views of what they need most.

A client, structural engineer, interior designer, contractor, planning board, and fabricator do not need to see the same presentation. Corvus lets you compose different stories from the same underlying project. Reveal the information each audience needs without creating separate versions of the architecture that must then be maintained independently.

Bring the model into the conversation.

Sometimes a static view is exactly right. Sometimes the question requires turning the building around, moving through a room, looking above a ceiling, changing the time of day, or seeing an alternative. Move naturally between composed presentation views and the live project without leaving the conversation to open another application or find another file.

Answer the question while everyone is still in the room.

What happens if this wall moves? Can we see the other material? What does the room look like from here? How does that affect the area? Corvus keeps presentation close to the living project, so questions can become explorations rather than homework. Make the change, see the consequence, discuss it, and keep moving while everyone still shares the same context.

Move from plan to section to model without changing worlds.

Architecture is understood through many representations. A plan explains one thing beautifully. A section reveals another. A model makes a spatial relationship obvious. A worksheet exposes the numbers behind it. A rendering communicates atmosphere. Presenting should let you move fluidly among all of them because they are different views of the same project, not files assembled from different worlds.

Let materials speak for themselves.

A material presentation should not require hunting through folders for product images and retyping information the project already knows. Bring materials, finishes, fixtures, furniture, and objects directly from the project and library. Show the image, swatch, manufacturer, specification, cost, or other information that matters while keeping it connected to the thing it describes.

A furniture board should know the furniture.

Interior designers should not have to rebuild the project's selections on a separate mood board. Compose furniture, fixtures, finishes, textiles, lighting, colors, and materials directly from the objects and information already in the project. Arrange them beautifully for a client while preserving their connection to the actual design.

A worksheet can be part of the story.

Sometimes the most persuasive view of a project is not an image. It is a room schedule, area comparison, cost summary, finish schedule, quantity, or set of options. Bring live worksheets directly into the presentation and format them for communication without turning the underlying information into another spreadsheet or static table.

Make it beautiful without making it complicated.

Presentation is an act of design, but presentation software does not need to become another profession. Control composition, typography, hierarchy, alignment, spacing, backgrounds, scale, and graphic treatment with direct tools built around the kinds of information architects and designers actually present. Enough control to communicate beautifully. Not another universe of features to master.

Your studio should look like your studio.

Create presentation systems that reflect the character of your practice. Establish typography, page sizes, grids, spacing, graphic conventions, title treatments, and other standards once, then reuse them across projects. Give everyone in the studio a strong place to begin without forcing every presentation into exactly the same mold.

Present on a page or across a room.

A client may review a presentation on a laptop. A team may gather around a large screen. A board may need a PDF. A competition may require printed panels. A consultant may open a link in a browser. Compose once and let the work move naturally across the ways architecture actually gets communicated.

Send a link, not another file.

A client should not need professional design software to understand professional design work. Share a presentation through the browser and let someone see what you intended them to see without installing an application, downloading a model, or searching an email thread for the latest attachment. When appropriate, let them explore more deeply without giving them more complexity than they need.

Let clients point at the thing they mean.

“That wall” is perfectly clear when everyone is standing around the same drawing. It becomes much less clear in an email sent three days later. Let clients and collaborators comment directly on the plan, object, material, view, or decision they are discussing. Feedback stays attached to its context instead of becoming another trail someone has to reconstruct.

Capture the decision, not just the comment.

Presentations exist to create understanding, and understanding leads to decisions. Record what was approved, rejected, questioned, or left unresolved while the conversation is happening. Keep those decisions connected to the relevant project information so the meeting produces more than a marked-up PDF and somebody's handwritten notes.

Compare alternatives without making copies of the project.

Design develops through possibilities. Show Scheme A beside Scheme B. Compare two layouts, materials, façades, furniture selections, or phasing strategies. Let each option remain connected to the project information behind it, so comparison does not require exporting and manually maintaining parallel presentation worlds.

Zoom into the detail without losing the whole.

A presentation often moves from an idea to a building, from a building to a room, and from a room to a detail. Corvus lets the story move through those scales naturally. Start with the whole project, move into the plan, reveal a section, inspect an object, and return to the larger idea without treating each step as an unrelated slide.

Stop flattening architecture just to explain it.

Architecture is spatial, relational, visual, numerical, material, and constantly changing. A stack of screenshots can capture only fragments of that richness. Corvus keeps the underlying project available while you present, allowing the communication to become as simple as the audience needs without making the architecture itself simple underneath.

Export when an export is what you need.

Sometimes the deliverable really is a PDF. Make one beautifully. Produce crisp drawings, clear typography, high-quality imagery, and composed pages without compromising the live presentation behind them. Corvus does not pretend files have disappeared from professional practice. It simply stops requiring them when they add no value.

Presenting should not require another subscription.

Architects and designers already pay for an extraordinary collection of applications just to move their own work from one stage of communication to another. Drawing software. Modeling software. Rendering software. Image editing software. Page-layout software. Presentation software. Corvus brings everyday architectural presentation into the environment where the architecture already lives.

The best presentation software understands architecture.

A generic presentation application sees rectangles, text boxes, images, and pages. Corvus sees plans, sections, spaces, objects, materials, renderings, worksheets, alternatives, phases, and relationships. That understanding makes the presentation simpler because the software does not need you to explain what everything is after you have already designed it.

Presenting should be part of designing.

A presentation is not merely the packaging that happens after the work. Explaining a project reveals what is clear, what is unresolved, what matters, and what needs to change. Clients ask questions. Consultants expose constraints. Alternatives become understandable. Decisions get made. Corvus keeps those conversations close to the architecture so presenting can continue shaping the project rather than sitting downstream from it.

One project. Every story it needs to tell.

Draw it. Model it. Render it. Schedule it. Specify it. Compare it. Explain it. Present it. Corvus keeps every representation connected to the same underlying architecture, then lets you decide what another person needs to see. No reconstruction. No parallel presentation model. No wondering whether the slide is still current.

Join our waitlist.

You’ve already waited 49 years. What’s another two? AEC professionals have spent decades jumping through hoops and creating workarounds for convoluted software. No one dares to build something that will challenge the status quo. It's time for something fundamentally different and unapologetically human. Join the waitlist.